Cecilia Tan on Why Erotica Matters

One of the literary highlights of the year for me was attending an LBBT literature festival in Washington, D.C. this fall. And one of the highlights of the event was a keynote talk by Circlet Press publisher Cecilia Tan. Her talk largely reflected some inspiring thoughts she expressed just after last year's distressing election.
The money quote from her keynote: "Self expression is self preservation." It helps to explain why fiction, poetry, art and music that celebrate sexuality and particularly forbidden or marginalized sexual identities and experienced must be recorded, imagined, examined.
I can't do justice to Cecilia Tan's words, which are much more articulate than anything I can do to summarize her, so I'll just put a link to her initial election response right here. 

Brooks, Powers, Ashbury, Walcott

I have to credit the 92nd Street YMCA, known more for its cultural programming in New York City than it's athletic and aquatic activities (though they have plenty of dance and athletic activities as well), for celebrating the work of departed poets, many of then giants of 20th Century literature.
Earlier this month, I attended a celebration of Gwendolyn Brooks life and work, which featured some of the most prominent contemporary poets reading her work along with recordings of Brooks reading her own poetry. They saved the best for last, with Tyehimba Jess reading -- performing, really -- some Brooks poetry, which brought out plenty of Bravos and practically a standing ovation. (There's a lot of Jess reading/performing to be found on YouTube. I'm particularly fond of a Ted presentation he did about the McCoy sisters.) The 92nd Street Y is celebrating the work of John Ashbury tomorrow (12/13) and has a Derek Walcott event scheduled for January 18 of next year.
In an unrelated note, I also attended a reading at the KGB Bar recently, where I sat on a barstool sipping red wine and listened to Nicholas Powers read -- and compose -- his work. I was not previously familiar with Nicholas Powers, but I can tell you I'll be going to hear him again any chance I get. His poetry was socially engaged and engaging, but what really struck me was his extemporaneous work. He invited audience members to suggest topics/phrases/ideas, and just sort of riffed up poetry on the spot. Such an improv challenge would terrify me, I can assure you. I particularly remember the last one he did, which I'll call "elements" and "elephants," both of which figured prominently in his on the spot composition. I hope the KGB records their readings, so I can go back and hear it again.

Words and Music at Quinn Violins

For the life of me, I don't know why more poetry readings don't incorporate more live music. Of course, I have little experience in organizing readings, and I've never collaborated with musicians, so I'm part of the problem. But I've just returned from an inspiring trip to Quinn Violins in Minneapolis, Minnesota.
Quinn Violins is more than just a music shop. The building includes studio space for musicians and some musicians offer classes there. Today's collaboration between poets and musicians featured the poets Ardie Medina, Michael Kiesow Moore, and Thomas R. Smith. They were joined by the Asiginaak Singers and cellist Lars Krogstad Ortiz.
In truth, more than collaboration was at play. Ardie Medina, in addition to reading her poetry, also sang with the two other members of the Asiginaak Singers. Robert Smith followed reading his own work by strapping a guitar over his shoulder and transforming himself into Jim Morrison and John Lennon.
But the highlight for me -- and I'm indebted to Michael Kiesow Moore for generously blurbing my chapbook -- was his collaboration with cellist Lars Krogstad Ortiz. Michael read, with Lars accompanying him on the cello with music that he must have composed with the poems in mind. The music added a degree of depth and texture that amplified the poetry rather than interfering with it.
It was perhaps the most entertaining and inspiring poetry events I've been to in long time.
The event took place in a small room lined with violins, appropriately enough. And isn't a rather poetically named music store -- Quinn Violins -- an appropriate setting for a musically infused poetry reading.

Gotham Gray is Out

As you can see below, my chapbook of poetry, Gotham Gray, has been published (thanks to Finishing Line Press for making that happen).
It's currently available from the Finishing Line Press website, Amazon, Barnes & Noble's website, and IndiBound, a website owned by independent bookstores that offers online book shopping.
By the way, in doing Web searches to find out just how easy it is to find my little book online, I discovered that there really is a paint color called Gotham Gray, though I can't remember which company makes it. At any rate, I'll check it out the next time I have a chance to remodel an apartment.

Gotham Gray

A New Voice on Capitol Hill

Tracy K. Smith, pulitzer prize winning author of Life on Mars among other poetry collections, spoke with National Public Radio in an interview broadcast today about her appointment as Poetry Laureate of the U.S. (And, officially, consultant in poetry to the Library of Congress.) I remember living in D.C. in the mid-1990s, and readings or lectures featuring the poet laureate (I distinctly remember Rita Dove in particular) were always a highlight of D.C.'s literary calendar.
I was struck by somethings Smith said in her NPR interview about the role of poetry in a country facing times of division and dissension. Poetry is not just a vehicle to describe our own feelings, but also those of others -- serving as a vehicle to transport empathy. As such, she views poetry as something that becomes more essential in times of turmoil.
"The things that poems encourage us to acknowledge are more vital during times when we're up in arms about where we are going as a nation or where we're going as citizens," she told NPR.
I think Smith, whose work does not flinch from political and cultural hot spots, is an excellent choice for the laureateship. And I hope she will succeed in helping expand the audience of people who listen to poetry across the country.

Stewart vs Trump

I have to admit, though I'm not a regular viewer of the late night talk shows, I enjoy Stephen Colbert more than any other late night host since, well, since David Letterman, whom Colbert replaced. And I was mostly a big Letterman fan during the early years of his career, when I was young and inclined to stay up late on a regular basis.
I happened upon the Colbert show last week on a day when he'd invited Jon Stewart, previously host of Comedy Central's daily show (which reminds me, I like Trevor Noah, the new host over there, quite a bit as well) and quite a few other veterans of the Daily Show -- Samantha Bee, etc -- onto the show to have a bit of a love fest for their former mentor. This all happened a few days after there had been some kerfuffle over an off color joke Colbert had made about Trump.
Though I'm not familiar with the joke, I'm sure I would consider it fair game, given all the crude and insulting things Trump has said about other people over the course of his campaign (and career). But Jon Stewart himself came to Colbert's defense rather eloquently, I thought.
"For the life of me, I don't understand why we hold comedians to a higher standard than we hold leaders to," Stewart said. "We can insult. He can injure," he said, referring presumably to Trump.